Archive for June, 2013

Theo Kleynhans – "Quench my Soul"

Thursday, June 20th, 2013

Theo Kleynhans is a deeply philosophical artist who uses his work to explore profound subjects such as memory and loss. "The mere fact that memory exists," he says, "is a portent of loss." In his paintings, he strives for what he calls "universal impact," drawing on the emotional states we all share that move us.

Abstract as Kleynhans’ intellectual approach to art may be, one could not classify it as strictly abstract art. Each canvas incorporates figures and symbols that are immediately identifiable, as in "Trancendental Memory," a gorgeously provocative, fantasy-laden acrylic. There are even some with photo-realistic subjects, such as "The Heart is a Lonely Hunter," another acrylic, also thought-provoking. "Do You Remember the Time" is a fine example of Kleynhans’ penchant for combining the utterly realistic graphic with the abstract-expressionistic.  In "Mutus Liber (The Mute Book)," we see an example  of the artist’s use of text to subtly decorate the background and enhance a picture.

"Quench my Soul" is a typical Kleynhans etching. These works are on the small side, measuring 14″ wide by 20″ high, and the color palette is a pleasant monochrome in shades of sepia. It is obvious that the artist is concentrating on drawing the viewer in and making him think. Symbols abound in "Quench my Soul" and the painting itself is fascinating. Large lily blossoms hover in the center of the canvas above a high-contrast grid below. Above them is a small rain cloud. Looking closer, we can see the flowers may represent a person’s third eye.

 

 

Theo Paul Vorster – "Under Siege"

Thursday, June 20th, 2013

Theo Paul Vorster is essentially a graphic artist who enjoys producing prints, woodcarvings, drawings, pastels, and watercolors. He possesses a B.A. in graphic arts from the University of Stellenbosch, with an emphasis on the art of printmaking. All his pictures are heavily influenced by this graphic arts background. Many of his pictures, such as the linoprint called "Wishing Well," depict realistic subjects in a highly illustrative manner. Some are dreamlike fantasies, as is the case in "Loss" and "Playful." A few are out-and-out surrealistic pictures, such as "Acceptance," a somewhat unsettling picture of a boy flying, Chagall-like, in the air toward an open window, coming out of the confines of a large wooden closet, also flying.

"Under Siege" is an interesting example of Vorster’s graphic offerings. This linoprint is beautifully executed and one of the artist’s most successful. It pictures a man with his head in the clouds, up in the blue-blue sky. A pilot’s goggles and headgear cover most of the man’s face, and visions of crisp white paper airplanes swirl around him attractively. This picture has a very high-contrast, very illustrative appeal, using stark black for the man’s upper torso and a nice rust for the headgear.

While Vorster’s pictures are all fascinating, one of the most interesting things about his work has to do not with the work itself, but with the artist’s method of pricing. Each and every piece in this online collection carries the same affordable price tag.

Allyson Shone – "Garden Queen"

Thursday, June 20th, 2013

Allyson Shone is a watercolor teacher who creates her own paintings using both watercolors and oils. She has a practiced, easy hand with her delicate watercolors, such as one can easily see in "White Roses" and "Bouganvillea." These are both large works that feature magnificent flower arrangements captured by an artist with a wonderful eye and an obvious devotion to beauty.

"Irises" is a stunning piece which Shone painted in oils. Her work in this medium differs vastly from her watercolors, showing an strict attention to boundaries and blending that tends toward the high-contrast values, as opposed to her lovely watercolor pastel palettes.

"Garden Queen" depicts some amazing purple blossoms surrounded by yellow-green stalks. Created on glass paper known as "Yupo" paper, this watercolor is a lovely work. The composition, flow, and rhythm of the piece match the undeniable appeal of the flowers. This is one of Shone’s most successful watercolors. It measures fourteen inches wide by nineteen inches high and the flowers occupy nearly the entire canvas, though space is devoted to the stems and leaves of the crowded garden the comprises the vibrant background.

For a unique departure from her usual approach, see "Magic," a lovely oil painting portrait of the grey-furred head of a cat with bright golden eyes. This picture captures the spirit of the little animal in high-contrast purity. Unlike most of her work, "Magic" shows the subject on a plain brown background, which allows the light-colored whiskers to play very well indeed.

Melanie Meyer – "Forest for the Trees,"

Thursday, June 20th, 2013

Melanie Meyer concentrates almost exclusively on turning out her remarkable abstract landscapes in acrylic. Her paintings range from fairly diminutive, such as "Autumn Hills 04," which measures one foot square, to the likes of "Flamingo Vlei," another square canvas, but which measures nearly four feet by four feet. "Autumn Hills" is a rare departure for Meyer, as it is a recognizable depiction of a reddish landscape, with a row of trees in the horizon and beautiful clouds above. "Flamingo Vlei," on the other hand, is a true abstract and as such is much more similar to the bulk of her online collection.

In "Forest for the Trees," we have a large canvas that measures 48″ wide by 35″ high, completely filled with a rich abstract acrylic. The artist explains that these are the foothills of a forest, where a journey begins. The work is comprised of horizontal layers that have no immediate meaning other than to support the viewer’s imagination. As we superimpose our knowledge of the title, combined with our imaginations, onto the painting, we can, indeed start to see the forest’s beginning. A stunning palette ranging from creams to light blues to russets to olive-grey, provides a luscious quality to this appealing abstract.

Meyer’s color choices are, in fact, almost always delectable. "Flamingo Dance 02," an abstract in lavenders and teals, and "Sisters," an enormous expressive work measuring 83″ by 59″ and employing all the colors of a male peacock, are two excellent examples.

Edward Saunders – "Curious Tiger Cub"

Thursday, June 20th, 2013

Brian Edward Saunders is a gifted artist who works almost exclusively with pencil and paper. His work is therefore almost all in black and white with deftly wrought variations of grays. Saunders manages to craft some beautiful pieces in this highly restrictive medium, from the simplest "White Rose" to "Chimba," a photographic representation of a beautiful lion. This latter work is a stunning example of Saunders ability with the humble pencil.

"African Iris" and "African Daisy" are remarkable also, both accomplished with pencil on a large black field. The artist has left the bulk of the canvas in black, giving an interesting, almost Oriental flavor to the work, since the field retains almost as much importance as the subject. "African Iris," in fact, is highly delicate and Japanese in nature, due to the compelling, large black background and the stark black-and-white beauty of the two flowers themselves, on placed in the high left corner, and one in the lower right.

"Curious Tiger Cub" is an irresistible portrait carried out in oil pastel on paper. This work measures 17″ wide by 24″ high and depicts a picture-perfect tiger cub with ears and one paw caught in the act of emerging from a window or pet door. The beautiful markings of the tiger are assiduously drawn in the expected colors of brown, black, and white. Again, the artist uses a striking, all-black field. The tiger cub’s attention is drawn somewhere off to his right, where he appears to be contemplating springing.

Terry ann Kalinko – "Jacarandas"

Thursday, June 20th, 2013

Terry Ann Kalinko is an artist with a strikingly beautiful voice. Her work, all oil paintings, ranges from deliciously lovely and attractive, such as is the case with "Cape Blush 2," a lavish, irresistible landscape, to hard-hitting, such as "The Artist," a remarkable study in bold outlines and the contrasting shapes of canvases inside an art studio, with the painter in the foreground. Many of her pictures are enveloped in abstract, wide-swathed geometric shapes that add a great deal of dimension, depth, texture and interest to the work. A good example of this unusual and courageous technique can be seen in "Portrait Woman in Prayer."

One of Kalinko’s most undeniably gorgeous paintings is simply called "Jacarandas." This picture rivals the old masters of impressionism in its musical rhythm, richly sumptuous palette, and pleasing composition. An expressive depiction of a road lined on both sides with jacarandas in full bloom, its colors are necessarily shades of lavender, purple, and gold, with a blue sky in the far background. Jacaranda blossoms cover the ground as well as the tree branches and fall from the sky. Everything is pictured in boldly outlined, high-contrast curves, lending the entire painting a vibrant movement that is alive and impactful. This painting shows the artist in her best light, and it is impressive indeed.

"Ballet Talk" is a charming oil and another consummate example of Kalinko’s talent. She portrays two dancers in full ballet dress, chatting with one another as they relax. This is a very contemporary work of modern art from Kalinko, deservedly unafraid in her surety of hand and skill.

Zonika Botha – "Confusion" and "Broken Moon"

Thursday, June 20th, 2013

Zonika Botha is a self-taught artist with a pronounced preference for the abstract. Working in both oils and acrylics on canvas, she produces colorful, modern pieces that are attractive, graphic and often thought-provoking. "Pulse" falls into the latter category, a successful attempt to portray the pulse of a beating heart in an abstract work on canvas. "Lost Soul" is another though-provoking piece, depicting a small, mostly abstract human figure at the end of a tunnel made, presumably, of tree trunks. There is light at the end of the tunnel and all around the "lost" soul.

"Confusion" is a strictly abstract work, an acrylic on stretched canvas measuring 24″ wide by 16″ high and divided into two pieces. In the center is a cross-like shape, decorated by various geometric figures and a large diagonal ray running through them. The heavily textured background is likewise comprised of geometric shapes, from circles to lines to rectangles. Bold lines range from subtle colors to stark white and black. The entire effect is completely pleasing and, unlike the title, "Confusion," very well-balanced.

"Broken Moon" is another favorite in this artist’s online grouping. Another strictly abstract work, it employs geometric figures in shades of white on a dark background that graduates from dark reds to teal blue. Several shapes that could be moons are sprinkled throughout the canvas in a visually appealing composition. Some of them are full-moon circles, and others are "broken"in half. Like "Confusion," this is altogether an interesting work of art.

 

Michael Souter – "Morning Phantom"

Thursday, June 20th, 2013

Michael Souter is a consummate technician with a long professional career as a graphic artist and designer. Working almost exclusively with acrylic on canvas, he produces painting after painting that is fresh, delightful and attractive. "Giant Kingfisher" shows his skill and style very well, a portrayal of a beautifully feathered kingfisher with a fish captive between its beaks. "Helmeted Guinea Fowl 4" is another homage to the indigenous birdlife, also impeccably carried out.

Souter has a number of sports-themed paintings in a series within this online gallery. "South African Soccer Supporter" and "Orlando Pirates Supporter" are two excellent examples. "Black Rhino of Etosha" Is a bold portrayal of the indisputably ugly, yet compelling, face of a rhinocerous, and "Burnt Protea 1" is an irresistibly unique vision of the beautiful flower, singed artistically around the edges. "Loerie" is an unusual, illustrative picture of a bird, carried out in bold, graphic lines of white, dark green, sand, and red.

"Morning Phantom" is a Souter painting that is quite different from all the rest. An acrylic on canvas, that is where the similarities end. This fantasy painting shows a crude etching of a birdlike figure in white on a dark russet background. Reminiscent of both a Picasso drawing and a picture carved into a stone wall by one of the early cave dwellers, it has an immediate positive impact. The viewer feels its friendly intent right away, and the decorative bird-figure would be a wonderful addition to any art-lover’s collection.

Simon van Leeuwen – "Face of a Clown"

Thursday, June 20th, 2013

Born in the Netherlands, Simon van Leeuwen is a well-known and prolific artist whose medium of choice is oil. His work is invariably expressive, employing bold use of color, contrast, and texture in the form of blunt, heavy strokes softened by technically adept, perfectly blended colors.

Van Leeuwen portrays all the usual suspects in his wide-ranging online gallery: florals, portraits, landscapes, wildlife, and architectural subjects all have their moments to shine. "San Marco Square – Venice" is a great example of one of his paintings that features a prominent world city, and "African Market" is a beautiful homage to the color and ambiance of his adopted homeland. "Hibiscus" shows his control and aplomb with the broad, bold brushstroke in no uncertain terms. and "San Girld 2" is a lovely, sensitive portrait of a native woman in all her glory.

"Face of a Clown" stands out among van Leeuwen’s large collection as a real favorite. This is, as the title says, a closeup portrait of a clown’s face, dutifully painted in primary colors on a clown white field. The sad eyes match the sad-clown, painted mouth, and a tear falls from the right eye. But what is most striking about this stunning picture is an overlay of shadowy rays that completely cover the canvas. It could be the effect of a screen between the viewer and the subject, or it could be a device used for added interest. Whatever its reason, it took guts to do, and it really works!

Nora Lemmon – "Under the Sun"

Thursday, June 20th, 2013

Acrylics artist Nora Lemmon mixes and matches semi-realistic paintings with full-on abstracts in this online collection. She will often employ the use of collage or another type of mixed media to produce the exact effect she is striving for. This can be seen in "Linen and Lace," a freshly spring-like portrait of flowers in a vase on a lace tablecloth. Another work, called "Deep," is a beautiful acrylic and mixed media abstract that could be a closeup of vibrant colors in an interesting rock formation.

"Under the Sun" is a pleasant painting made with acrylics and mixed media. A large work, it measures 50″ wide by "40″ tall, and would have considerable impact on any wall. This is a picture-postcard seascape, complete with whitecaps breaking on a rocky shore and a blood-red sun beginning to sink below the horizon. A very satisfying picture simply due to its classic composition, "Under the Sun" has an occult attraction that keeps the viewer coming back for more. Heavily textured with unusual techniques, we find ourselves fascinated with exactly how this picture came to be.

"Butterfly 3" is another unusual canvas, also acrylic with mixed media. Its subject is a black-and-white monarch butterfly busily harvesting nourishment from the center of a bright red poinsettia. The background is a dark maroon field with bold blackish textured areas.

For an excellent representative of Lemmon’s ability to reproduce realistically, take a glance at "Protea," a study in monochrome, light, and dark.